Nov 13, 2015
Nov 7, 2015
Storyboard of Video Game.
in who was addicted to playing games for many hours a day, and who as a result, suffered from terrible headaches. Because of the headaches, his parents took him to vision therapy, where he found that he could reduce his headaches by doing eye exercises, but was told that he also had to reduce his game playing. He was unwilling to do so…until he introduced to new eye exercises that were essentially offered in the form of a game. He took up the game at a computer screen, and in the end, he was able to find a place of balance, where he could play a reduced number of hours of his original games, and his headaches went away. The story will be told in voice-over, so no text, just pictures to tell the story.
A boy Forehead creased in concentration,
playing computer games on a hand- held screen.
View
over shoulder of the boy, looking at the game screen -
which has gods
and demons, ....
..... coming out from the screen to tease and tempt him to play
another round of the game.
Boy suffering another terrible headache.
Face of boy that the game is being taken away.
Discovery that there is still something to play with.
The face of the boy Hair neater Face calmer, more serious
Boy at Computer wearing sunglasses, doing exercises.
...........doing exercises...
Intensity - focused only on the game, fading the rest of life Desire.
Nov 6, 2015
6 Ways To Be Fair with Your Freelancer
Today, more and more marketing companies and digital advertising firms are working with freelance employees. That’s right, freelancers are employees just like your full or part-time staff—only better because freelancers are beneficial to the bottom line. Yet finding good freelancers is no easy feat so once a business does, it ought to place a premium on these time and cost-effective workers by following these six simple steps to treat freelancers fairly.
1) Make freelancers part of the team
Just because freelancers are usually out of site doesn’t mean they should be out of mind. Include them on the company list of employees or masthead. If there’s a company function, extend an invitation to the freelancer. Or, more important, if there’s a job opening which fits the freelancer’s skills, offer the position to the freelancer first, before looking outside for someone who isn’t familiar with the company.
2) Be respectful of freelancers’ time
It may not seem like a big deal to call and cancel a meeting but this actually costs a freelancer. Unlike salaried employees who are sometimes paid to wait around, time is money to freelancers, who must clear their schedules to accommodate and re-accommodate rescheduled meetings. It’s also important to be considerate of their time when providing instructions on a project. Make sure the directions are clear and concise. Don’t make freelancers read through pages and pages of notes when only a few lines may pertain to them. Yet don’t skimp on essential information which may result in the freelancer spending more of their own time trying to decipher or supplement the instructions.
3) Offer freelancers security
Long-term contracts and retainers are often used when companies hire freelancers for ongoing work that seldom varies from month to month. This lets freelancers know how much they will earn for six months to a year so they can budget accordingly. In return, the freelancer will often be on call with the company who has contracted them. But if work is not contracted and inconsistent or if promised projects fall through, freelancers must look elsewhere to fill the gap and consequently spread their time and services between different companies. Because it behooves a business to have the freelancer’s undivided attention, it makes sense to provide a steady flow of work and compensation to freelancers.
4) Don’t cheap out
Just because the digital age has flooded the market with aspiring freelancers who will work for near nothing, doesn’t mean hiring them is a good deal. Often these workers have little to no experience and their novice efforts can wind up costing a company its reputation as well as money since their work often needs to be redone. There’s a reason for the term, “you get what you pay for,” so pay for someone who knows what they’re doing.
5) Pay a fair rate
Here’s a simple equation: if a freelancer and in-house staffer both make $25 an hour and work the same amount of hours, their earnings are equal, right? Wrong. An employer can pay up to 200% more per hour for in-house staff because there are additional hidden costs for salaried employees, from basic overhead (utilities, hardware, software and more) to benefits (vacation, sick days, insurance and other perks that may include everything from education to morale-boosting events).
Unlike an in-house staffer, freelancers don’t receive these extras. They must pay for their own expenses as well as taxes. To even things out, a freelancer’s hourly rate needs to be much more than an in-house employee’s. Otherwise freelancers will find they are working for less than minimum wage, which no respectable business should encourage or condone. Besides, even at a seemingly higher rate, freelancers still save companies money because they are not always on the clock unlike salaried employees who are paid even during downtime.
6) Reward loyalty
If your company is fortunate enough to have found freelancers who have been in service for more than a year, count your lucky stars—and consider acknowledging their competence and loyalty in some way. Depending on the situation, you could reward a freelancer with a full-time position, more freelance assignments, or a compensation package equal to what a full-time employee would receive if business is slow. An annual bonus or even a small gift card would show you notice their efforts. The point is, you don’t want to diminish the freelancers’ contributions since these unsung workers are often going without so the company can go on.
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- See more at: http://www.mabbly.com/6-ways-to-be-fair-with-your-freelancer/#sthash.kS2cqLmT.dpuf
Job warning signs - for Freelancers
Thanks to Upwork Forum
When reading a job description, what causes you to go "Ut-oh!"? What red flags do you see in applications that at least puts you on your guard, if not actually skip to the next one? Here's some of mine (and others):
First and foremost The work is yours until you are paid in full. You own the copyright until you have been paid the agreed sum. If you choose to work for 15 cents per hour then that's your problem. If it takes longer than you thought..again, down to you. BUT. If you have done your bit according to the contract that you agreed, then the work is yours until it's paid for.
Asking for payment or to use your own accounts (Thanks Dave!) Money comes from the client to you; anything else and you're doing it wrong. Do not ever (unless you know the client really well, and give it second thoughts even then) pay for something for the client unless you have received the money from them first. Deposit for something; webhosting accounts; domain name; subscription for site X that is "essential for the job" etc etc. No money. Ever. Similarly, do not use your own eBay, Craigslist etc. accounts to list things for sale...chances are high that it will end badly and wreck any good karma you have built up there. And it'll be you in the frame if it turns out that it was illegal.
"Bait and Switch" (Thanks Selcalmel!) Clients advertise one job and then offer a different job at interview. Now there can be valid reasons for this; but a big difference between the job description and the work you're being offered should be viewed with extreme suspicion. Mostly on oDesk it's either jobs that you wouldn't have applied for if the job was described honestly or changing the rules to try and get the price down.
Too many people being interviewed This can be a sign that the buyer is dividing the job up and giving the various parts as a 'test' to applicants...with the intention of getting the job for free. It could just be that the buyer is looking for a very specific set of skills, or other innocent motive, but maybe not.
NOTE: (Thanks Brandon!) This also applies to the client's history...check the total number of jobs posted versus people hired. If there are a load of jobs posted but few contracts awarded, then proceed with caution.
Only low bidders being interviewed If you're not one of the low bidders on that job then it's probably not worth applying.
Long list of demands, silly budget We've all seen them; the jobs for an all-singing, all-dancing website for $100, followed by either a HUGE feature list and/or a long list of qualities required by the contractor. Luckily for you, the buyer is advertising the fact that they are a wanker (behaviour which is unlikely to change if you were unfortunate enough to land the contract). This buyer knows the market well enough to know exactly what they want; and must therefore know that the budget is exploitative...move on. And as a corollary to the above (Thanks Louis!):
People who bellow orders, often in capitals "SUCH SUCH WILL NOT BE READ I IF [insert term].... OTHERWISE I WILL DELETE YOUR APPLICATION IMMEDIATELY". Or "MUST ATTACH SUCH AND SUCH OTHERWISE YOU ARE WASTING MY TIME". Some people -presumably after watching Alan Sugar or that twat Trump- think that this is how bosses should behave. I see it mostly as a sign of either someone being new to being in a position to call the shots and is a bit insecure about it, or someone who is a natural git. In either case your job will be more difficult because of it. Also, these types of application are frequently paired with a ridiculous budget. Any buyers who are reading this should note that this isn't the way to go about things...also all capitals make it harder to read and you're increasing the chances of applicants missing an important detail. Annoying people before they've even applied for your job cannot possibly help. Am I the only one, by the way, who feels the impulse to reply in kind?: "Listen up bitch. I reckon I can do it in 10 hours which'll cost you $450 and if that isn't good enough then you can just f"...it would be a fairly short application, probably.
Mention of half-finished job/previous contractor/s There are two factors here...sorting out what someone else has done often takes longer than just doing whatever it is from scratch. You will very probably be inheriting a hairy-arsed nightmare. The other factor -and a question you should be asking yourself (and the buyer, come to that)- is exactly why the previous contractor didn't finish. It does happen that buyers get a run of bad luck with contractors (often after playing in the lower budget ranges), so it isn't necessarily the buyer's fault. On the other hand, it could be. Rescuing a client from a wall-to-wall catastrophe at the 11th hour is one of the best smug feelings you can get as a freelancer; but these jobs are high-risk...you need to ascertain for yourself that the buyer is genuine before getting in too deep. A note to any buyers reading this: If you've already been through two or more contractors and you still don't have a result, you need to seriously consider throwing a match in and starting with fresh code. I've had jobs where it took significantly longer to find out what the hell the previous guys had done than it would have taken to just bin everything and do the job. And with other people's code, you can never be 100% sure that you haven't missed something important/broken/nasty.
One-line descriptions Buyers quite often don't know the information that a contractor needs in order to produce a final product the client will be happy with; that's not a problem and it's the contractor's job to ask the right questions. But when you see a job like "I need a website. Plz replie", just move on. If they can't be bothered, then neither can I.
Payment method not verified Sign either of a first-time user or a scammer. If the unverified user is overly familiar with the way oDesk works...warning! If it's a first time user, you may well have to do some unofficial oDesk support and talk them through it. And you might still get scammed at the end.
Anything where you have to create a user account on another site (that isn't the site you're working on) before you start. No. Just no.
Business plan with failure built in As a webdesigner, I hear 10 plans for world domination before breakfast. Some job descriptions have fail built into the very fabric of the scheme. The worst ones are the ones where you have to mess around with NDAs and soothe the buyer that you're not going to be over the horizon with his masterplan (which often as not turns out to be another bloody facebook or youtube clone). *sigh*
Jobs where 'clients' are mentioned I don't really like sub-sub contracting. Firstly there's there's the thought of the buyer sitting on his arse collecting cash for my work; which rankles a bit. Secondly -and more important- is the 'Chinese Whisper Effect'; where the original client's specs is filtered through the middleman's idea of what the end-client wants. These specs may well not be accurate. You *will* be doing extra work because of this. The same applies to large companies where an underling has been given the task and is now offloading it onto you; but in this case the specs are more often written down. The worse case in this latter scenario can be where it's a committee and everyone present has to get a design change in there -no matter how pointless- just to get their name in the minutes of the meeting.
"It will only take 5 minutes" No it won't. No job in the history of contracting has ever taken only 5 minutes. It takes longer than that to liase with the potential client, for a start.
Jobs that aren't worth it ((Your hourly rate) * (Number of hours you think it will take)) + (Say 10% safety margin for extra missions/unexplained bits) = (Your price for the job). If there's not enough money or not enough time, then it's usually best to move on.
Anything that mentions CAPTCHA or removing watermarks It's naughty. Don't.
Web scraping Nah. Probably illegal (copyright) and definitely immoral. You're stealing someone else's work. Worse...you're automating stealing someone else's work.
Jobs where it looks like a reasonable budget for the job until you read the description and it turns out that the budget is a monthly wage for full-time work of the same type This is annoying and wastes time.
Non-profit organisation (Thanks Mahesh!) A non-profit organisation is not the same thing as a charity. Some are, of course, but some are tax dodges, some are for groups of people, with the aim of the organisation being something you don't necessarily approve of..."Mothers in support of the ruthless oppression of Brits in Spain"; "White supremacy"; "Black supremacy"; whatever. Or -as Mahesh points out- it could just be weasel-wording for the fact that they haven't made any money.
Buyers asking for free work samples/tests (Thanks Anna!) It is the buyer's right to ask, just as it is your right to refuse. It's also discouraged by oDesk. All the veteran contractors (including me) will advise against free samples and in any case that's what your portfolio is for...to show previous examples of work and the standard that you're capable of. For contractors it just is not worth it...if there's 30 applicants to the job, you're spending time doing work for a 1 in 30 chance of getting a job. You can spend your entire life doing this and not make a penny. Now that I've said all that, a free sample is what landed me my first job on oDesk...someone wanted a graphic vector conversion and -having some free time- I just did it and sent an (unusable) sample graphic in. The buyer didn't demand a sample (I would not have applied if that were the case), but I proved I could do the job by doing it. Traditionally in design work, it used to be the case that the designer offered several alternate designs; but those were for *much* larger-budget jobs. It isn't worth even considering for the sort of jobs that are at oDesk. If you do choose to give free samples, always watermark them (Thanks Ernesto!). In the case of writing samples, send them as a graphic or locked PDF so that the text can't be used without paying you.
Free work samples - Part II If the buyer is asking for free samples and if it's the sort of job that can be broken up into smaller tasks then pay extra attention; and also look closely at the number of people being interviewed.
"Great opportunity for newbies" (Thanks Judith!) This means that a buyer is offering a risably small budget for work in exchange for giving you feedback. This is either feedback blackmail or investing time in order to get in the game, depending upon your point of view. You are definitely being taken advantage of; but really it's your decision...as long as you go into it with your eyes open and as long as it's all agreed at the start. Buyers trying to use feedback to change the terms after the job has started, however, should be reported.
Vague specifications (Thanks Louis!) It's harder to work with vague specifications, mostly, but you see quite a lot of jobs with insufficient detail. If you're extremely lucky, it's a buyer who wants this Thing to perform this Function; is busy; has correctly assessed your level of competence; and trusts you to get 'er done. This is rare. It is, however, also difficult to write job descriptions with exactly the right amount of detail. Insufficient detail could be due to laziness; unfamiliarity with the oDesk system; lack of knowledge (which is after all why the buyer is getting a professional in)...lots of reasons. The best way of approaching this -I believe- is to use the application letter and interview to clear up any ambiguities and to focus in on the specs so that you and the client both agree on what the job actually is and where the boundaries are. If you start the job and only have a vague idea of what the client wants, you are going to have problems. Possibly big problems if the job description also states...
Unlimited redo A job description containing these words should be approached with caution. Particularly with website work, as you're essentially agreeing to maintain it forever as part of the deal. Add a bit of mission creep to a contract like this and you're in a world of hurt. I always specify 'reasonable amount of re-do' in the cover letter. It's a contract and you should never agree to something that can suck up an infinite amount of your time for free. I understand that buyers want their work the way they want it and the 'unlimited' is mostly just a way of ensuring that their needs will be met. You, the contractor, also needs to ensure that you're covered, so best to renegotiate this phrase.
"Send us ID" This is not needed to work at oDesk. Don't do it or you will be very sorry. Verify who you are through oDesk, if you must, but ***NEVER*** send ID; bank account details, PayPal, eBay or any other information that can be used by ID-theft types.
Write to me outside of odesk This isn't necessarily a problem...everyone has their preferred methods of communication. At the first hint of paying outside of oDesk you should run away quickly: It's against oDesk rules; will get your account terminated if you're caught; and you will probably get stiffed by the buyer anyway.
Phishing (Thanks Santos!) The way this works is that someone sends you a link (usually an obscured one like "http://bit.ly/whatever"). This takes you to a page that *looks like* a login page to a common internet service (Gmail, Paypal, Amazon, whatever), but isn't. What the page is, is a copy of that login screen and the idea is that you type your password in and it gets captured by naughty people. It's then standard practice to use that email/username/password on lots of other common services to see if they work. If you 1) fall for it and 2) use the same password everywhere, you're stuffed. Don't trust an obscured link; and ALWAYS check the URL on a login screen, just to make sure you're in the place you think you are. Personally, I go a little further than that and keep a link with my (encrypted) password file and I only use my local link to visit web services.
Good luck out there!
Oct 15, 2015
Storyboard -Quest
We begin our scene with two men
dressed in suits waiting by an office desk.
Michael,
a young male with a strong posture & medium build;
dressed in a tailor fit grey/white suit.
He taps his nails constantly on the desk impatiently.
Eddie
standing by his right is whistling with confidence;
an unhealthy man shown by his large build.
His hair neatly combed and a mischievous smile across his face.
In enters a man, his shadow formed across the wall;
a devilish figure is seen for a slight moment.
He is dressed in an all-white suit along with a red tie.
He stands tall with a hair so blonde.
He walks with such pace as if he is floating towards both men.
The very picture of respectability in a frightening way.
An evil smile forms across his face as he walks towards them;
dressed in suits waiting by an office desk.
Michael,
a young male with a strong posture & medium build;
dressed in a tailor fit grey/white suit.
He taps his nails constantly on the desk impatiently.
Eddie
standing by his right is whistling with confidence;
an unhealthy man shown by his large build.
His hair neatly combed and a mischievous smile across his face.
In enters a man, his shadow formed across the wall;
a devilish figure is seen for a slight moment.
He is dressed in an all-white suit along with a red tie.
He stands tall with a hair so blonde.
He walks with such pace as if he is floating towards both men.
The very picture of respectability in a frightening way.
An evil smile forms across his face as he walks towards them;
He hands Michael a letter....
...and continues to walk on towards Eddie. Michael opens the letter
...reveals the top of it, it reads;
“Thank you for your application. We regret to inform you”.
Michael rips the letter in anger...
.....and throws it on the floor.
A bash of laughter is heard from afar;
Eddie and John are shaking hands.
They both look towards Michael as he walks towards the elevator.
They continue to laugh; an evil laugh it is.
Michael continuously taps the elevator button;
he looks to his right to see a table with assortments/utensils on it;
he looks to the left/right of him to see if anyone is looking;
he picks up a knife and slides it under his sleeve.
EDDIE Thank God my friends the V.P of this place.
JOHN God had no part in this;
.......this was all me. Remember who it is you serve friend!
Eddie smiles; shakes John’s hand once more
....walks towards the elevator with a cheeky grin on his face.
Michael Eddie stand side by side at the elevator.
The doors open both enter.
The ordinary lift music is silently playing in the background.
Both Michael and Eddie stand side by side;
Michael has a masochistic look on his face.
Eddie cheekily turns to Michael and offers his hand to shake,
Michael stares with the same expression;
Eddie turns away and continues to smile.
Michael slowly rolls the knife from under his sleeve; he plans his attack.
All of a sudden the elevator shuts down;
the sound of as if a generator blew;
the lights go off.
Moments later, the lights of the elevator power back on.
Michael is left standing in the elevator alone;
he looks confused as to what’s happened.
He stares at the elevator buttons
and see’s the “up” button lighten up, he presses it.
The elevator begins to move and as it is moving the elevator music begins
however this time the music will be something similar to the sounds of choir music heard in a church;
in representation of heaven. The lift stops and the doors open.
As the doors open, a ray of white light consumes the elevator
and a shadowy figure can be seen.
The figure of an angel with its wings spread open.
Standing next to Michael is an angel; she forms the appearance of a beautiful woman; her wings can’t be seen anymore and she is dressed like an ordinary secretary/office clerk. She stands by Michael’s right shoulder. Michael is awestruck by her magnificence; she smiles and touches his shoulder.
Upon touching Michael,
a series of photo shots are shown to him foreseeing his future.
Michael is holding a woman and smiling at children;
their faces are blurred in the photo.
The shots continue...
The Angel stands by Michael; she looks at him and smiles;
Michael is still overwhelmed by her beauty.
The elevator doors open
and just before leaving she turns to Michael
and kisses him on the cheeks.
He gawks as she leaves; the doors close.
The music is different, more frightening.
Michael is anticipating on the opening of the door.
The music is different, more frightening.
Michael is anticipating on the opening of the door.
The elevator doors open to an array of fiery colours,
...and continues to walk on towards Eddie. Michael opens the letter
...reveals the top of it, it reads;
“Thank you for your application. We regret to inform you”.
Michael rips the letter in anger...
.....and throws it on the floor.
A bash of laughter is heard from afar;
Eddie and John are shaking hands.
They both look towards Michael as he walks towards the elevator.
They continue to laugh; an evil laugh it is.
Michael continuously taps the elevator button;
he looks to his right to see a table with assortments/utensils on it;
he looks to the left/right of him to see if anyone is looking;
he picks up a knife and slides it under his sleeve.
EDDIE Thank God my friends the V.P of this place.
JOHN God had no part in this;
.......this was all me. Remember who it is you serve friend!
Eddie smiles; shakes John’s hand once more
....walks towards the elevator with a cheeky grin on his face.
Michael Eddie stand side by side at the elevator.
The doors open both enter.
The ordinary lift music is silently playing in the background.
Both Michael and Eddie stand side by side;
Michael has a masochistic look on his face.
Eddie cheekily turns to Michael and offers his hand to shake,
Michael stares with the same expression;
Eddie turns away and continues to smile.
Michael slowly rolls the knife from under his sleeve; he plans his attack.
All of a sudden the elevator shuts down;
the sound of as if a generator blew;
the lights go off.
Moments later, the lights of the elevator power back on.
Michael is left standing in the elevator alone;
he looks confused as to what’s happened.
He stares at the elevator buttons
and see’s the “up” button lighten up, he presses it.
The elevator begins to move and as it is moving the elevator music begins
however this time the music will be something similar to the sounds of choir music heard in a church;
in representation of heaven. The lift stops and the doors open.
As the doors open, a ray of white light consumes the elevator
and a shadowy figure can be seen.
The figure of an angel with its wings spread open.
Standing next to Michael is an angel; she forms the appearance of a beautiful woman; her wings can’t be seen anymore and she is dressed like an ordinary secretary/office clerk. She stands by Michael’s right shoulder. Michael is awestruck by her magnificence; she smiles and touches his shoulder.
Upon touching Michael,
a series of photo shots are shown to him foreseeing his future.
Michael is holding a woman and smiling at children;
their faces are blurred in the photo.
The shots continue...
The Angel stands by Michael; she looks at him and smiles;
Michael is still overwhelmed by her beauty.
The elevator doors open
and just before leaving she turns to Michael
and kisses him on the cheeks.
He gawks as she leaves; the doors close.
The music is different, more frightening.
Michael is anticipating on the opening of the door.
Michael now presses the highlighted“down” button, the elevator begins to move.
The music is different, more frightening.
Michael is anticipating on the opening of the door.
The elevator doors open to an array of fiery colours,
it consumes the elevator.
A devilish shadow appears, the same shadow we saw earlier.
Standing on the left of Michael is John but this time
he is wearing a red suit with a black tie.
His eyes widen, he smiles at Michael;
the portrayal of evil in its purest form.
He touches Michaels left shoulder;
Michael is frightened by his approach.
Again a series of images are shown of Michael’s future;
images of power,
money and women consume his thoughts;
he is surrounded in his desires.
A mischievous smile fills across Michaels face;
he looks towards John and nods his head as if he is in a trance.
The elevator doors open and just before leaving;
John turns towards Michael and leans into kiss him,
Michael breaks away.
The elevator comes to a halt and the music stops.
Michael slips the blade into his pocket and extends his arms to Eddie.
MICHAEL Congratulations on your new job
Eddie returns the hand shake and smiles.
The elevator doors open and Eddie leaves.
Michael moves towards the elevator doors
to leave and then enters an attractive secretary.
He waits back and looks at her.
He’s fascinated by her beauty; the secretary looks at Michael and smiles.
The secretary leans into kiss Michael, the elevator door closes.
Standing on the left of Michael is John but this time
he is wearing a red suit with a black tie.
His eyes widen, he smiles at Michael;
the portrayal of evil in its purest form.
He touches Michaels left shoulder;
Michael is frightened by his approach.
Again a series of images are shown of Michael’s future;
images of power,
money and women consume his thoughts;
he is surrounded in his desires.
A mischievous smile fills across Michaels face;
he looks towards John and nods his head as if he is in a trance.
The elevator doors open and just before leaving;
John turns towards Michael and leans into kiss him,
Michael breaks away.
The elevator comes to a halt and the music stops.
Michael slips the blade into his pocket and extends his arms to Eddie.
MICHAEL Congratulations on your new job
Eddie returns the hand shake and smiles.
The elevator doors open and Eddie leaves.
Michael moves towards the elevator doors
to leave and then enters an attractive secretary.
He waits back and looks at her.
He’s fascinated by her beauty; the secretary looks at Michael and smiles.
The secretary leans into kiss Michael, the elevator door closes.
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